As a creative soul, I have worked with a variety of film forms, but with a focus on video art. I continue to refine my technique and find new ways to capture images of people living their everyday life around the world.

I love to deal with social issues in life. My work deals with realistic social problems in both objective and subjective ways- Fiction and Documentaries.

 

But let’s talk about video art here:

The appeal of film-art to me lies in its ability to suggest the kind of knowledge that might be said to reside in the soul—hinted at by sound and visual associations, as if in a dream—and whether I follow, observe, deconstruct or altogether dispense with narrative, it is this affection for the ineffable that informs my work more consistently than anything else.

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May it be structural or non-structural; the content of my video-art is generally a foray into artistic and societal structures that I find confining or confusing—traditional narrative structure, television “realities,” notions of what is inherently cheap. Storylines and ideas are opened to questions rather than presented as complete. My intent is to work towards an epiphany of opening rather than one of certitude.

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Beyond this, however, my work is rooted in structural concerns, and as much as I explore myth-reality discrepancies, I am also exploring tensions between sounds, image, and text as elements that struggle to describe a certain meaning but which have their own agendas. The marrying of these elements in unfamiliar and unlikely juxtapositions serves to destabilize any viewer attempt to completely synthesize one meaning from the experience—but encourages them, I hope, to aesthetically appreciate and savor the experience of incompleteness and uncertainty.